Uroboros in Revolution is a short film I have edited and compiled from a variety of media sources including film, images of fractals and math equations, historical documentary and interview footage, archive footage and animation from popular underground media to help detail and animate a journey exploring humanities collective and individual interpretations of death, rebirth, and life itself.
From the horrors of the battlefield to the joy of discovery, down into the infinite eye of a blackhole, and the hell of a bad acid trip gone full fractal one poor soldier didn’t want or ask for. Uroboros in Revolution explores though music and imagery our very human quest to understand ourselves, the Cosmos we live in and our place in it, in a world that seems to makes less and less sense by the day.
It is sequentially divided into 9 parts and will be shown alongside an installation by multi-disciplinary artist Becca Smith, who is the artist I have working in collaboration with, producing the sections as a starting point to work from and also whom also informed and gave me ideas for much of the source material.
So thanks due to her, and visit the show as it will be a great opportunity to view the piece in situ with Becca’s Alter installation.
The music used throughout is by composer Kei Engel, a wonderful Russian composer I discovered though the freemusicarchive website and who I insist you visit now for some truly spellbinding classical / post rock music.
The Tunnel is an arts group I co-founded a few years ago now, this is our history compiled by Artist Mat Tudor
A collective based in London composed of artists, poets and theorists. Involved in exhibitions and projects in formal exhibition spaces, disused shops, garages and warehouses. Each exhibition uses either a piece of text(literature,poetry, philosophy) or film(feature, documentary) as a base and then the work orbits around this to create a structure of ideas.
History and Origins
The group was founded in October 2014 by Mathew Tudor as a gallery project based in Vyner St in Bethnal Green, London involving twelve artists engaged in experimental exhibitions. The space was also used as a meeting place to discuss art and as a working environment for some of the artists involved. There was much debate within the group as to the direction of the gallery which inevitably led to conflicts. Two opposing groups developed one that wanted a traditional gallery and the other that wanted a base for ideas. This volatile situation caused six members of the group to abandon the project. This did not destroy the morale of the remaining artists but merely hardened their resolve to continue developing their ideas and to create the platform or base that was originally proposed.
However the space was forced to close after just four brief months of existence due to the rapid redevelopment taking place in London at the time.
In February 2015 the remaining members of the collective (now just five people) involved themselves in a long debate as to the future. It was decided to continue as a constantly evolving collective project. The main instigators of this new phase where Mathew Tudor, Chris Paul Godber and Jessica Ballantyne. The first exhibition was to take place in March of that year entitled Nostalghia. The exhibition was designed to restore the confidence of the damaged group and prevent the dispersal of its remaining members.At regular intervals throughout the remainder of the year more exhibitions took place. During this time the group grew rapidly to a total of 31 members.
In September of 2015 three members of the group, Jamie Stanton, Chris Paul Godber and Mathew Tudor collaborated on a manifesto. The main thrust of the text was to be a critique of consumer culture and the development of the concept of restoring art to prominence in the 21st century. Over the course of the next few months the text went through many revisions until a final draft was ready for presentation to the group in March 2016. After a debate involving several members of the group it was agreed that the Manifesto would be a constantly evolving project with contributions from other members.
Chris Paul Godber, Mathew Tudor, Genevieve Leavold, Ashley Chapman and Jamie Stanton became the main theorists of the evolving group.
The results of the EU Referendum of the 23rd of June 2016 proved to be a turning point for the group. The left wing artists felt they could no longer be detached from the society they were living in, and decided to go into a more politicised direction, the beginning of this was the Hunger exhibition which was an uneasy mixture of politics and literature and to some extent reflected the cultural and political turmoil created by the proposed break from europe. It was decided that the creation of a more politicised group would be inadvisable and that the literary focus should remain intact. Political ideas could express themselves in themes rather than the motivation for each individual artist.
Landscapes of the Mind
During group discussions it became apparent that an extreme form of individualism was of paramount importance to us. And that art existed as a vehicle for the most pure expression of the self and it was this that was the most genuine reaction against the grey conformity of nationalism.
The Tunnel publishes a zine at regular intervals throughout the year, and members also publish their own texts under The Tunnel name.
Waterstones Gower Street. March-April 2017.
Hunger. September 2016.
Interzone. May 2016.
The Waste Land. March 2016.
Bang! November 2015.
Metamorphosis. September 2015.
The Outsider. July 2015.
Nostalghia. March 2015.
Rosetta. December 2014.
Project Space Launch. November 2014.
Chris Paul Godber
Project Space Opening. November 2014.
Rosetta. December 2014.
Nostalghia. May 2015.
The Outsider. July 2015
Metamorphosis. October 2015.
Bang. November 2015.
The Waste Land. March 2016.